Brighten The Corners Presents critically acclaimed singer-songwriter Scott Matthews at St Stephen's Church on Thursday 5th December 2024.
“Another beautiful piece of work…it feels timeless…existing outside any genre, which is a beautiful thing… absolutely wonderful” – Ed O’Brien, Radiohead (on Restless Lullabies), 2023
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Time: 7.30pm - 11pm
Venue: St Stephens Church, Ipswich
Tickets: £18+bf
Supports: no support
Age Restrictions: 14+ (14- 15s must be accompanied by an adult)Stage Times:
Doors 7.30pm
8pm - Scott Matthews Set One
9pm - Interval
9.15pm - Scott Matthews Set Two
11pm - Live Music Curfew -
Scott Matthews’ ground-breaking debut album, Passing Stranger earned him serious critical acclaim with its bold mix of folk, rock, blues and Eastern-inspired song-writing, and in 2007 his first single ‘Elusive’ won the Ivor Novello Award for ‘Best Song Musically and Lyrically’. From here Scott went on to perform on a number of international sell-out tours with respected artists such as Rufus Wainwright, Bert Jansch, Robert Plant and Alison Krauss, Foo Fighters, Snow Patrol and Tori Amos.
His follow-up albums saw, Robert Plant come onboard for a guest contribution on second album, Elsewhere, and legendary bassist Danny Thompson appearing on his third release What The Night Delivers, having encountered each other whilst performing in Joe Boyd’s stage production of Way to Blue – The Songs of Nick Drake.
Championed by Lauren Laverne as ‘a big favourite’ and Huey Morgan as being ‘something else’, Scott’s musical dexterity and experimentative approach to song-writing and home-recording continued to excite over the course of the next several albums released on his own label, from the intrinsically poetic, organic nature of The Great Untold, to the daring and audacious New Skin.
This album was arguably his boldest move yet, New Skin swathed in Eno-esque electronica and Thom Yorke-centric uncovering, channelled the driving energy of ‘80s Springsteen and was widely lauded by Robert Plant, Radiohead’s Ed O’Brien, Bella Union’s Simon Raymonde and BBC 6Music. It was rock and ambient, acoustic and electro. Matthews had never sounded so vital. Never sounded so fresh. Never sounded so energised. And never sounded so good.